“Elijah Moshinsky and his designer, John Napier, seem to me to have been outstandingly successful in articulating its ideas without violating its style. The set itself, a three sided box structure covered in white scrim and responding to every tint and blaze of David Hersey's lighting, offers and apt visual equivalent to the quite special luminosity that distinguishes this from all Wagner's other scores.”

Bryan Northcott, The Sunday Telegraph

1st November 1977